There Will Come Soft Rains

April 5th, 2018 § 0 comments

For modern man, experiencing certain scenarios often turns out to be an effective way of opening up new perspectives on ourselves and the world around us. Bearing this in mind, the exhibition There Will Come Soft Rains tests a particular experiential context by initiating a fictitious journey through time. To this end, a group of international artists remove themselves to the year 2318, where they find themselves in a new kind of world, one without the human species.

Taking this fictitious leap in time as their starting point, artists Marcela Armas, Carolina Caycedo, Julian Charrière, Andreas Greiner & Tyler Friedman, Jeronimo Voss and Pinar Yoldas are invited to investigate the characteristics of a non-human world through a range of newly conceived installations, videos and objects. The exhibition also includes a separate projection room featuring filmic works by Hicham Berrada, Galina Leonova, Uriel Orlow, Mario Pfeifer and Superflex. The program of films looks, in an associative way, at the dystopic potential of the present day inherent in current developments in the fields of ecology, society and politics. The presented films explore possible reasons behind a future disappearance of humankind.

Uriel Orlow, Remnants of the future

Uriel Orlow, Remnants of the Future, 2010, Installation view basis 2018, Photo: Günther Dächert

 

Superflex -Flooded McDonald's

SUPERFLEX, Flooded McDonald’s, 2009, film still, HD video, colour, sound, 21:00 min., copyright the artists

 

Andreas Greiner and Tyler Friedman, The Molecular Ordering of Things

Andreas Greiner & Tyler Friedman, The Molecular Ordering Of Computational Plants, 2018, Installation view basis 2018, Photo: Nathalie Zimmermann

 

Marcela Armas, TSINAMEKUTA

Marcela Armas, TSINAMEKUTA, 2018, Installation view basis 2018, Photo: Frithjof Kjer

In the exhibition, basic questions about the way we treat our environment, the relationship between art, science and late-capitalist man’s self-image form recurring themes of the different artists’ investigations. At the same time, by speculatively and poetically taking existing developments to a next level, the various works also look at the deeper implications that connect the future with the present. They thus conjecture about both the positive and the negative associations of a possible depopulated world.

The current speculation about hybrids and virtual extensions is a continuation, in a new guise, of the anthropocentrism of the past. With the scenario of a non-human world There Will Come Soft Rains aims to look beyond this attitude. At the same time the concept thus becomes an open reflection on forms of coexistence far removed from human dominance. But what kind of alternative thinking about a future world can be initiated by the negation of the human perspective? And are new structures and symbioses imaginable in this world, the kind of positive links that serve to widen the current individual’s horizons?

A blog to accompany the project and a multilayered communication program allow for a continuative discussion of the exhibition’s central questions with the participation of international experts. Alongside performances and workshops, the accompanying program also includes a series of lectures.

More Information and documentation on the exhibition www.softrains.org

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